Researchmoz presents this most up-to-date research on\u201dMusic Concerts and Festivals \u2013 UK \u2013 August 2013\u2033.The report focuses primarily on quantitative market metrics in order to characterize the growth and evolution of the Remote Patient Monitoring Market.<\/p>\n
Complete Report With TOC Kindly Visit: http:\/\/www.researchmoz.us\/music-concerts-and-festivals-uk-august-2013-report.html<\/a><\/strong><\/p>\n In the longer term, it is easy to see how, if a promoter is able to set up a transactional website to take crowdfunded pledges of payment, they could bypass the ticketing agents and having to pay a cut to them, potentially increasing their revenues and profitability as a result.<\/p>\n TABLE OF CONTENT Introduction Executive Summary Issues in the Market<\/strong> Browse All Media Related Reports At : http:\/\/www.researchmoz.us\/media-market-reports-160.html<\/a><\/strong><\/p>\n Trend Application<\/strong> Market Drivers Who\u2019s Innovating? Market Size and Forecast Segment Performance Market Share Companies and Products Brand Communication and Promotion Contact Us:<\/strong>
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\nDefinition
\nAbbreviations<\/strong><\/p>\n
\nThe market
\nFigure 1: UK music concerts and festivals market, 2008-18
\nMarket drivers
\nFigure 2: Attendance at NAA member venues*, by quarter, 2012
\nCompanies, brands and innovation
\nFigure 3: Leading music concert and festival operators, ranked by turnover*, 2012
\nThe consumer
\nRock, pop and classical genres dominate
\nFigure 4: Music concert and festival visiting habits, June 2013
\nTheatres\/concert halls are the most popular music venues
\nFigure 5: Venues where people have paid to see live music performed in either 2012 or 2013, June 2013
\nTraditional and new media help to broaden exposure for live music
\nFigure 6: Interest in accessing music concerts and festivals content, June 2013
\nSanitation challenges line-up as main factor influencing festival choice
\nFigure 7: Most important factors influencing decision whether or not to attend a music festival, June 2013
\nTicket pricing and distribution are biggest issues for consumers
\nFigure 8: Attitudes towards music concerts and festivals, June 2013
\nOpportunities for other types of leisure venue to host live music?
\nFigure 9: Usage of leisure time, June 2013
\nWhat we think<\/p>\n
\nHow can technology be utilised to help create opportunities for promoters?
\nWhat can artists and promoters do to help counter inflated secondary ticket values?
\nWhat is the potential for adopting cashless payment at events?
\nWhere are the main opportunities for live music promoters to develop additional revenue streams from live music?<\/p>\n
\nTrend: Extend My Brand
\nTrend: Help Me Help Myself
\nMintel Futures: Old Gold<\/p>\n
\nKey points<\/strong>
\nPressure on arenas sector exacerbated by Olympics
\nFigure 10: Music performances and attendances and NAA member venues*, 2008-12
\nOlympic supply and demand factors also impact market
\nWinter peaks and summer troughs
\nFigure 11: Attendance at NAA member venues*, by quarter, 2012
\nPop, rock and classical account for bulk of arena admissions
\nFigure 12: Performances and attendance at NAA member venues*, by genre, 2012
\nFans prepared to pay whatever it takes to see their favourite artists
\nFigure 13: Average music performance ticket prices at NAA member venues*, 2011 and 2012
\nTicket fraud continues to be a problem
\nLive Music Act set to boost grass-roots music
\nCentral government funding declines in real terms
\nFigure 14: Major Arts Council-funded classical projects, 2012\/13-2014\/15
\nFigure 15: Major Arts Council-funded jazz projects, 2012\/13-2014\/15
\nIncomes being squeezed
\nFigure 16: Trends in inflation and average weekly earnings, January 2007-April 2013
\nUnemployment continues to be a worry
\nFigure 17: Trends in unemployment rate, Q1 2008-Q1 2013
\nFigure 18: Unemployment rate*, by age band, Q1 2013
\nWeakness of Pound makes bringing foreign acts more expensive
\nFigure 19: Sterling exchange rates, 2008 -13
\nLive more important than recorded music in revenue terms
\nFigure 20: Live versus recorded music revenue trends, 2008-12
\nUS market outperforms UK
\nFigure 21: Performance of US live music market* in first six months of year, 2008-12<\/p>\n
\nKey points
\nTicketing<\/strong>
\nAEG aims to hit back at touts
\nMaiden goes paperless in anti-touting measure
\nThe Ticket Factory launches integrated Facebook app
\nEventbrite integrates \u2018Buy tickets\u2019 button for Facebook events
\nStubHub offers last-minute pop-up facilities
\nContactless payments
\nBarclaycard encourages PayBand use with perks
\nIoW Festival expands cashless experiment with MasterCard
\nColdplay use wristbands to improve audience engagement
\nGig curation\/generation
\nDetour aims to take the risk out of promoting
\nOff Axis Network looks to establish \u2018gig-swap\u2019 system<\/p>\n
\nKey points<\/strong>
\nOlympic effect and no Take That tour hits 2012 revenues
\nFigure 22: UK music concerts and festivals market size trends, 2008-18
\nForecast
\nFigure 23: Forecast UK music concerts and festivals market value, 2008-18<\/p>\n
\nKey points<\/strong>
\nTickets account for majority of industry revenues
\nFigure 24: UK music concerts and festivals market, by segment, 2008-12
\nConcerts
\nFestivals
\nFigure 25: Major UK music festivals, 2013
\nIndependent festivals see average spend fall<\/p>\n
\nKey points<\/strong>
\nLive Nation is dominant force in UK live music
\nFigure 26: Leading music concert and festival operators, ranked by turnover, 2012<\/p>\n
\nLive Nation<\/strong>
\nLive Nation (Music) UK
\nFigure 27: Live Nation (Music) UK Ltd, key financials, 2008-12
\nLN-Gaiety Holdings
\nFigure 28: LN-Gaiety Holdings Ltd, key financials, 2007-11
\nAcademy Music Group
\nFigure 29: Academy Music Holdings Ltd, key financials, 2008-12
\nFestival Republic
\nFigure 30: Festival Republic Ltd, key financials, 2008-12
\nSJM Concerts and Metropolis Music
\nFigure 31: SJM Ltd, key financials, 2007-11
\nFigure 32: Metropolis Music (Scriptograph Ltd), key financials, 2008-12
\nAnschutz Entertainment Group (AEG)
\nFigure 33: AEG Live (UK) Ltd, key financials, 2007-11
\nMarshall Arts
\nFigure 34: Marshall Arts Ltd, key financials, 2007-11
\nGlastonbury Festival
\nFigure 35: Glastonbury Festival Ltd, key financials, 2008-11
\nMAMA & Company
\nFigure 36: MAMA Group Ltd, turnover of key subsidiaries, 2011\/12
\nRaymond Gubbay
\nFigure 37: Raymond Gubbay Ltd, key financials, 2008-12<\/p>\n
\nKey points<\/strong>
\nMarket leader Live Nation is leading advertiser too
\nFigure 38: Leading promoters\u2019 main media advertising spend, 2012
\nFigure 39: Main media advertising spend on leading artists, 2012
\nSocial media grows in importance
\nFigure 40: Facebook likes and Twitter followers of leading music concert and festival companies, August 2013<\/p>\n
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